Leah Bernini Cronin, PhD, MA, MA

Irish fiddle player, teacher, ethnomusicologist

private lessons

Leah has been teaching Irish fiddle, violin, ensembles, and master classes to students of all ages since 2003. Currently, she teaches private Irish traditional fiddle lessons, as well as a community Irish Music Club at Granville Center for the Arts.

Group classes

Leah currently runs a community Irish Music Club at the Granville Center for the Arts, and is the bandleader for Celts Crossing. She teaches master classes for the Denison Suzuki Program, and taught Denison University's fiddle ensemble.

Performance

Leah leads the Irish folk/rock band, Celts Crossing, and performs Irish and Celtic fiddle in a variety of solo, duet, and trios throughout central Ohio.


St. patrick’s Day performances, 2025

Leah & Friends, “Tunes and Tales” by the Newark Granville Symphony Orchestra, Licking County Library; Weasel Boy Brewing with Celts Crossing; “Irish Community Ceili” at the Granville Center for the Arts; Middleton Senior Living; Otterbein Granville SeniorLife Community, among others. Photographs and videos coming soon.

all photographs courtesy of Olivia Boucher

Leah holds a PhD in Ethnomusicology as well as MAs in Irish Traditional Music Performance and Ethnomusicology, all from from the Irish World Academy of Music and Dance, University of Limerick in Ireland.

She also holds a BM in Commercial Music Performance and Music Business from Belmont University in Nashville, TN. 


The Neoliberalisation of Cultural Production: An Ethnography of Professional Irish Traditional Music

 

Doctoral Dissertation (2016)

Irish World Academy of Music and Dance, University of Limerick

Through the theoretical lenses of agency, autonomy, resistance, and resilience, this ethnographic study reveals how professional musicians and cultural workers experience the neoliberalisation of cultural production in their careers and everyday lives. 

Download PDF from the University of Limerick’s Online Repository: https://ulir.ul.ie/handle/10344/5216

 

Selected publications and papers

(2016) The Neoliberalisation of Cultural Production: An Ethnography of Professional Irish Traditional Music, University of Limerick, Doctoral dissertation.

(2020) “Off the record: Irish traditional musicians and the music industry” Ón gCos go Cluas - From Dancing to Listening, Voices from the North Atlantic Fiddle Convention conference held in Derry City, 2012, Edited by Liz Doherty and Fintan Vallely. ISBN 978-0-9511569-9-5. p.218.

(2015) "Capitalism and Resistance in Professional Irish Music" (2015) FocaalBlog, Focaal: Journal of Global and Historical Anthropology, Apr 9.

(2017) “Success in the Culture Industries: Entrepreneurial Neoliberal Rhetoric and Resilience” Irish Council for Traditional Music – World Conference, Irish World Academy of Music and Dance, Limerick, Ireland.

(2016) "Navigating the Neoliberal Music Industry: A Case for Resilience" Working in Music Conference, Glasgow, Scotland.

(2014) '“I Want the Moon”: Negotiating Capitalism and Creativity in the Commercial Music Industry through Discursive Acts of Resistance" Society for Ethnomusicology Annual Conference, Music and Labour, Pittsburgh, USA.

see all

Academic media

Dr. Leah O'Brien Bernini, ethnomusicologist, describes the characteristics that make traditional musicians resilient in the face of change, contributing to their success.

Ethnomusicology PhD fieldwork 2013/2014, professional Irish & Celtic music Show Reel

PhD fieldwork videos

PhD fieldwork photos

Leah with fiddle, playing B&W.jpg

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